sexposures

you won’t know what you’re getting
that’s the point
TEN POSTCARDS
45
printed on premium photo paper
(10 × 15 cm / 4 × 6 in)

sealed in a envelope
includes a private message from the artist
hand-signed

each set is uniquely curated — no repeats, ever

worldwide shipping available
limited to 200 copies
treskow's note


you’ll only read the image here
but those who buy the envelope will hold the real thing — ten postcard-sized photographs pulled from sexperimental

each one described in words, revealed in print
no repeats and no previews
just 200 envelopes
hand-selected
signed and untamed
PICTURE THAT:


naked. squatting. heels on

hands stretched above her head, gripping the doorframe

her back exposed, hair wet, body ready

it’s not a pose

it’s a dare

PICTURE THAT:


sheer curtain. naked body

heels digging into the floor

back arched toward the window

she makes daylight feel dirty

PICTURE THAT:


fishnet. chains. glossed skin

she covers just enough to tease

the rest?

intentional

PICTURE THAT:


fishnet. flash. wet hair

her face blurred by light,

but her body says everything

control never looked this good

PICTURE THAT:


city skyline behind her

corset unlaced. eyes down

she isn’t lost in thought

she’s deciding what happens next

PICTURE THAT:


out of focus. almost not there

stockings, corset, stillness

she looked like a memory

you weren’t supposed to keep

PICTURE THAT:


lingerie. Marble. Mirror

she sits still, but the room watches

one face turned away

the other sees everything

PICTURE THAT:


naked on heels, one hand in her hair,

the other gripping the tv

the news keeps talking

she’s the real broadcast

PICTURE THAT:


naked, lit by city lights

one hand across her chest,

the other pulling her forward

she’s not running

she’s performing

PICTURE THAT:


naked but for glitter boots

hair wild, one leg lifted,

hands on glass,

the city blinking behind her

she came dressed for the night

PICTURE THAT:


red soles. black lace

hair down, back arched, chair gripped

she’s not waiting for permission

she’s daring you to look longer

PICTURE THAT:


blurred. backlit. unbothered

black lingerie under a hotel robe

she’s not out of focus —

she’s just out of reach

PICTURE THAT:


she kneels backwards on a hotel chair,

hair loose, lingerie tight

the lamp tilts

the bed waits

this isn’t rest

it’s rehearsal

PICTURE THAT:


shirt half-lifted

one breast exposed. strings untied

all tension. no apology

she knows exactly where you’re looking

PICTURE THAT:


paris outside. lace falling

she lifts her dress, back exposed,

the eiffel tower watching

some views aren’t meant to be shared

PICTURE THAT:


naked in heels, stretched across white sheets

morning light cuts the room

one leg bent. one arm over her face

this isn’t rest

it’s surrender

PICTURE THAT:


heels digging into the floor

one knee on the sheets, one hand gripping the chair

she’s not crawling

she’s claiming

PICTURE THAT:


naked, draped over the chair like a question

heels still on. sheets on the floor

the bed’s behind her,

but she’s not done yet

PICTURE THAT:


she’s draped across the bench,

black lingerie, gloves, heels —

the bed untouched

pleasure doesn’t wait for comfort

PICTURE THAT:


skyline view. one leg up

hair falling, back arched, heels steady

she’s not admiring the city

she’s daring it to admire her

PICTURE THAT:


lace mask. lingerie. boots to the knee

she eats pasta like it’s foreplay

midnight doesn’t ask questions

it watches

PICTURE THAT:


blurred flash. motel phone

one boot on the bed, the other on the floor

she’s not calling for help

she is the emergency

PICTURE THAT:


face masked. legs crossed

gloves up to the elbows,

the room soft, her stare sharp

obedience isn’t requested —

it’s expected

PICTURE THAT:


nude in heels, back arched, hand on the door

her face erased by flash, body frozen mid-reveal

she’s not entering

she’s arriving

I am all ears
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