jurij treskow

10 Unique Variations

Sexperimental became the place where I could actually show the muses as more than one image, more layered, part real, part fiction, the way fantasy and imagination actually live inside a real person.

Not polished. Alive. Something meant to be felt, not just looked at — for the eyes, the hands, the whole body while you're holding it.

No beginning, no end. Open it anywhere. Less about answers, more about staying curious enough to keep looking.

If I'm honest, the whole thing is really just a statement about falling in love with life. That's what I was actually trying to say.

The title says it all. It's an experiment. Still is.

One shoot, one muse, hundreds of photographs come out of a single afternoon. Every box pulls a different slice from that pool — never the same composition twice, even out of one shoot, one woman, one day.

Notes and letters written fresh each time, never reused. Prints on different paper, sizes, formats, on purpose — glossy next to matte, big next to small, pulling you further into the mood of that specific day, like the materials themselves are part of the memory.

Nobody holds "the shoot." You hold one mood I cut out of it.

50 of these exist per muse.

Every one different.

This one's smaller, on purpose. Not a whole shoot, not one muse — this pulls from years of archive, from shoots and cities and people I never fully showed anyone.

Ten photographs come out of that pile, at random, never the same ten twice. One diary entry that was never meant to be public. A few hotel notes I never planned on sending anywhere. A handful of negatives, physical proof something actually happened once.

It's not the deep version. It's the door. A way into the archive without needing the whole room.

200 of these exist. Every one different, same as the box — just lighter, faster, easier to hold onto for a first look.

Collect art. Gift art.

Invest in something real. Endorse the work. Own the original.

These are the photographs I'd actually put on my own wall — pulled straight from the archive, printed on museum-grade paper, sized to be looked at properly.