original online course
on photography
on photography
01. UNIT
intro
In the initial unit of my online photography course, I will delve into my personal journey as a photographer. I will describe how my interest in photography grew and the challenges and opportunities I encountered along the way. Additionally, I will discuss the impact of the decisions I made on my journey towards becoming a photographer, as well as how different cities influenced my evolution as an artist.
The main focus of this unit will be on my personal experiences, providing students with a glimpse into my world and offering insights that can aid them in developing their own photography skills.
In the initial unit of my online photography course, I will delve into my personal journey as a photographer. I will describe how my interest in photography grew and the challenges and opportunities I encountered along the way. Additionally, I will discuss the impact of the decisions I made on my journey towards becoming a photographer, as well as how different cities influenced my evolution as an artist.
The main focus of this unit will be on my personal experiences, providing students with a glimpse into my world and offering insights that can aid them in developing their own photography skills.
To understand an artist's creative output and vision, it's crucial to explore their biography. Their personal experiences and background can provide context and inspiration for one's own artistic practice.
1.
FIRST STEPS
PHOTO-SHOOLS & ASSISTING
2.
BERLIN
WORK IN TEAM
FIRST EDITORIAL & CAMPAIGN & LOOK-
MOSCOW
3.
PARIS
MODEL TESTS
MAGAZINES & CELEBRITIES
MUSE
4.
PHOTO AGENCIES
5.
USA
EUROPE
1.
FIRST STEPS
PHOTO-SHOOLS & ASSISTING
- what initially sparked my interest in photography
- biography
- first shootings & mentor
- moving to berlin
- photo schools
- why I've never assisted
2.
BERLIN
WORK IN TEAM
FIRST EDITORIAL & CAMPAIGN & LOOK-
MOSCOW
- work in team
- first breakthrough
- influences
- first printed editorial & campaign & look-book
- own photo studio
- dark aspects in my photography
3.
PARIS
MODEL TESTS
MAGAZINES & CELEBRITIES
MUSE
- moving to paris
- my first exhibition in minsk in 2010
- model tests for agencies in paris
- my initial experiments with nudes
- stepping into the high fashion industry
- one particular muse that had a profound impact on my photography
- shootings for magazines
- celebrities
4.
PHOTO AGENCIES
- factory 311
- art board
- walter schupfer
- the industry
- onirim
- vitals
5.
USA
EUROPE
- moving to nyc in 2015
- restart
- how nyc revealed both strengths and weaknesses
- moving to los angeles in 2020
- miami 2022
- milan & london
02. UNIT
pre-production
Inspiration techniques and sources, including notable photographers to watch and recommended books, articles, and interviews on photography.
Mood-boards, including strategies for creating them, organizing image references, and developing treatments, briefs, and call sheets.
Portfolio creation, discussing how to choose your best work, what to include, and how to tailor portfolios for different clients.
Specifics of fashion photography, including the differences between commercial and personal work, rates, and negotiations. Resources such as articles, documentaries, and magazines on fashion, as well as offer guidance on creating concepts and managing prices and costs.
Inspiration techniques and sources, including notable photographers to watch and recommended books, articles, and interviews on photography.
Mood-boards, including strategies for creating them, organizing image references, and developing treatments, briefs, and call sheets.
Portfolio creation, discussing how to choose your best work, what to include, and how to tailor portfolios for different clients.
Specifics of fashion photography, including the differences between commercial and personal work, rates, and negotiations. Resources such as articles, documentaries, and magazines on fashion, as well as offer guidance on creating concepts and managing prices and costs.
Preparation is a key element in achieving success in photography. Whether it's planning a shoot, developing a concept, or organizing your gear, taking the time to prepare can make all the difference in the outcome of your work. Good preparation enables you to focus on your creative vision and execute your ideas with confidence. It also helps to minimize unexpected problems or setbacks that can derail a shoot.
By investing in preparation, you set yourself up for success and position yourself to take your photography to the next level.
6.
INSPIRATION
PHOTOGRAPHY
7.
MOOD-BOARDS
8.
PORTFOLIOS
9.
FASHION PHOTOGRAPHY
COMMERCIAL VS. PERSONAL WORK
RATES
By investing in preparation, you set yourself up for success and position yourself to take your photography to the next level.
6.
INSPIRATION
PHOTOGRAPHY
- inspiration techniques and sources
- photographers to watch
- books, articles and interviews on photography
7.
MOOD-BOARDS
- strategies for creating mood boards
- organising images used as references
- lay-outs for mood-boards
- finding inspiration
- treatment & brief & call-sheet
8.
PORTFOLIOS
- choose your best work
- google yourself
- what to include in your portfolio
- create multiple portfolios for different clients
9.
FASHION PHOTOGRAPHY
COMMERCIAL VS. PERSONAL WORK
RATES
- specifics of fashion photography
- list of articles, documentaries & magazines on fashion
- creating concepts
- negotiations
- prices & costs
03. UNIT
shooting
Building teams and engaging with models, highlighting what makes a great model. The importance of learning from masters in the field and the techniques and methods used to create stunning photographs.
Different types of lighting used in photography, including natural, strobe, continuous, and LED lights. Tips on how to efficiently observe and utilize space on a set, including working in Airbnb, hotels, apartments, lofts, studios, and locations.
My experiences with erotic photography, including my first experiments and the creation of erotic portraits while maintaining aesthetics.
Specifics of shooting in the fashion industry, including the differences between commercial and personal work, rates, and negotiations. Articles, documentaries, and magazines on fashion, as well as guidance on creating concepts and managing prices and costs.
Building teams and engaging with models, highlighting what makes a great model. The importance of learning from masters in the field and the techniques and methods used to create stunning photographs.
Different types of lighting used in photography, including natural, strobe, continuous, and LED lights. Tips on how to efficiently observe and utilize space on a set, including working in Airbnb, hotels, apartments, lofts, studios, and locations.
My experiences with erotic photography, including my first experiments and the creation of erotic portraits while maintaining aesthetics.
Specifics of shooting in the fashion industry, including the differences between commercial and personal work, rates, and negotiations. Articles, documentaries, and magazines on fashion, as well as guidance on creating concepts and managing prices and costs.
10.
TEAMS
MODELS
11.
EQUIPMENT
DIFFERENT TYPES OF LIGHTNING
CASE STUDIES
12.
INDOOR VS. OUTDOOR
13.
THE SPECIFIC OF EROTIC PHOTOGRAPHY
TEAMS
MODELS
- building teams
- engaging with the team and model
- what makes a great model
11.
EQUIPMENT
DIFFERENT TYPES OF LIGHTNING
CASE STUDIES
- learning from masters
- breaking down in details what techniques and methods
I used to create my photographs - natural vs. strobes vs. continuous vs. led light
12.
INDOOR VS. OUTDOOR
- how to efficiently observe and utilize the space on a set
- airbnb & hotels & apartments
- lofts & studios & location
13.
THE SPECIFIC OF EROTIC PHOTOGRAPHY
- eros
- first experiments
- erotic portraits
- maintaining aesthetic
04. UNIT
post-production
Image selection, including tips on choosing the best images and creating layouts for them. Post-production techniques such as the patch tool, levels and curves adjustments, adding grain, and working with both black and white and color images.
Different types of prints available, including fine art prints, posters, and postcards. Tips on creating polaroids, zines, and books to showcase your work, and explore the world of moving images such as fashion films.
Preparations for exhibitions, retrospectives, and lectures, including how to present your work in public settings.
Importance of archiving your work, including how to organize your files and use them to progress in your photography career.
Image selection, including tips on choosing the best images and creating layouts for them. Post-production techniques such as the patch tool, levels and curves adjustments, adding grain, and working with both black and white and color images.
Different types of prints available, including fine art prints, posters, and postcards. Tips on creating polaroids, zines, and books to showcase your work, and explore the world of moving images such as fashion films.
Preparations for exhibitions, retrospectives, and lectures, including how to present your work in public settings.
Importance of archiving your work, including how to organize your files and use them to progress in your photography career.
Post-production is an essential part of the photography process, allowing photographers to refine and enhance their images.
14.
SELECTION
RETOUCHING
LAYOUT
ARCHIVES
15.
PRINT AND SELL YOUR
16.
MOVING IMAGES
FASHION
17.
(S)EXHIBITION
FATAL
14.
SELECTION
RETOUCHING
LAYOUT
ARCHIVES
- selection in three rounds
- layouts for your chosen images
- patch tool, levels & curves, grain
- bw & color
- cropping
- how to use archives to progress
15.
PRINT AND SELL YOUR
- printing
- fine art prints & posters & postcards
- polaroids & zines & book
16.
MOVING IMAGES
FASHION
- first videos
- specifics
- case studie
17.
(S)EXHIBITION
FATAL
- retrospectives
- lectures
- fatals
- bursa
- (s)exhibition
ONLINE COURSE
4 units 17 blocks
All units of the photography course will include tasks and practical exercises for students to complete. These exercises will allow students to apply the techniques and concepts covered in each unit to their own photography practice, and to gain hands-on experience with the material.
In addition to the practical exercises, each unit will also include case studies that illustrate the concepts covered in the unit. These case studies will provide real-world examples of how the techniques and concepts covered in the course can be applied in practice, and will help students to understand the material in a deeper and more meaningful way.
All units of the photography course will include tasks and practical exercises for students to complete. These exercises will allow students to apply the techniques and concepts covered in each unit to their own photography practice, and to gain hands-on experience with the material.
In addition to the practical exercises, each unit will also include case studies that illustrate the concepts covered in the unit. These case studies will provide real-world examples of how the techniques and concepts covered in the course can be applied in practice, and will help students to understand the material in a deeper and more meaningful way.
I had an amazing experience with Jurij Treskov's photography course. Towards the end of the course, I felt an immense surge of energy and inspiration. My heart was racing with the desire to shoot more and more, to capture people, to feel and showcase aesthetics to others. I am grateful for the opportunity to immerse myself in this atmosphere and to be part of such a transformative experience.
Vlad
/
Very cool and interesting. It is inspiring. It's great that you hold such meetings and share your secrets. Thank you for your honesty. Everything is very cool.
Alexander
/
Thank you for the reboot, I got what I came for. For that elusive feeling of love and charm, which disappeared under the pressure of commercial work. It is important to meet like-minded people and compare your feelings, to touch reality and illusions together.
Cyril
/
Key phrases and thoughts that stuck with me were: to love the person you are photographing, which I had suspected myself, but now I am convinced once again. Don't spend too much time on post-processing. Maintain a child-like curiosity with a fresh perspective.
Danilov
/
Jurij, thank you very much for the high-quality and interesting course. I got answers to all my questions, along with inspiration. Good luck and further achievements.
Alejandro
/
Jurij! Thank you very much! It was a pleasant and informative meeting. I wish you further creative success.
Arina
/
It was well-structured. It was easy to perceive without exaggeration. I wanted a little more technical content. Thank you!
Rachel
/
Jurij, thank you for the course! I'm glad I attended because there was a lot of information about the most important thing: the constant process of searching for something new and fresh in photography, rather than the trivial details of retouching. It was especially cool to learn about your journey, especially in such an open and nuanced way, including your work with models during tests.
Robert
/
Treskov's photography course is an absolute must for anyone serious about honing their photography skills. I was thoroughly impressed with the wealth of knowledge and expertise that Jurij imparted throughout the course. The lessons were meticulously crafted, covering the necessary concepts in a clear and concise manner. The practical exercises were particularly helpful in reinforcing the theories taught in the course, making it an immersive and engaging learning experience. Thanks to Jurij's guidance, I now feel much more confident in my photography abilities and I look forward to applying the techniques I've learned in my future work.
Chad
Vlad
/
Very cool and interesting. It is inspiring. It's great that you hold such meetings and share your secrets. Thank you for your honesty. Everything is very cool.
Alexander
/
Thank you for the reboot, I got what I came for. For that elusive feeling of love and charm, which disappeared under the pressure of commercial work. It is important to meet like-minded people and compare your feelings, to touch reality and illusions together.
Cyril
/
Key phrases and thoughts that stuck with me were: to love the person you are photographing, which I had suspected myself, but now I am convinced once again. Don't spend too much time on post-processing. Maintain a child-like curiosity with a fresh perspective.
Danilov
/
Jurij, thank you very much for the high-quality and interesting course. I got answers to all my questions, along with inspiration. Good luck and further achievements.
Alejandro
/
Jurij! Thank you very much! It was a pleasant and informative meeting. I wish you further creative success.
Arina
/
It was well-structured. It was easy to perceive without exaggeration. I wanted a little more technical content. Thank you!
Rachel
/
Jurij, thank you for the course! I'm glad I attended because there was a lot of information about the most important thing: the constant process of searching for something new and fresh in photography, rather than the trivial details of retouching. It was especially cool to learn about your journey, especially in such an open and nuanced way, including your work with models during tests.
Robert
/
Treskov's photography course is an absolute must for anyone serious about honing their photography skills. I was thoroughly impressed with the wealth of knowledge and expertise that Jurij imparted throughout the course. The lessons were meticulously crafted, covering the necessary concepts in a clear and concise manner. The practical exercises were particularly helpful in reinforcing the theories taught in the course, making it an immersive and engaging learning experience. Thanks to Jurij's guidance, I now feel much more confident in my photography abilities and I look forward to applying the techniques I've learned in my future work.
Chad
PLANS / EARLY BIRDS
More products
JURIJ TRESKOW
BIO
Jurij was born in Belarus and later moved to Germany at the age of 17. In 2008, he discovered his passion for photography while living in Berlin. One year later, he made the decision to relocate to Paris, where he pursued his career as a professional photographer.
Jurij Treskow is a photographer who specializes in fashion, art and portrait photography. His style is often described as provocative, sensual, and bold, with a focus on the power of seduction. He has worked with various high-end brands and publications, and his work has been exhibited in galleries around the world.
Jurij lives and works between New York, Paris, London and Berlin.
Curator of fatal.systems
Jurij Treskow is a photographer who specializes in fashion, art and portrait photography. His style is often described as provocative, sensual, and bold, with a focus on the power of seduction. He has worked with various high-end brands and publications, and his work has been exhibited in galleries around the world.
Jurij lives and works between New York, Paris, London and Berlin.
Curator of fatal.systems
CELEBRITIES
Takado Kenzo
Innez de la Fressange
Natalia Rykiel
Sante D'Orazio
Pierre Cardin
Barbara Bui
Paolo Roversi
James Franco
Anna Valerie Hash
Christian Louboutin
Guy Laroche
Damir Doma
David Koma
Jean-Claude Jitrois
Ivan Dorn
S. Mazaev
Doplhin
Erik Bulatov
D'Ornanos
Alisa Freindlich
Verushka
Rick Owens
Peter Philips
Fanny Ardant
Bill Gaytten
Andrew GN
Gerard Depardieu
...
Innez de la Fressange
Natalia Rykiel
Sante D'Orazio
Pierre Cardin
Barbara Bui
Paolo Roversi
James Franco
Anna Valerie Hash
Christian Louboutin
Guy Laroche
Damir Doma
David Koma
Jean-Claude Jitrois
Ivan Dorn
S. Mazaev
Doplhin
Erik Bulatov
D'Ornanos
Alisa Freindlich
Verushka
Rick Owens
Peter Philips
Fanny Ardant
Bill Gaytten
Andrew GN
Gerard Depardieu
...
PRINT
The Impression USA
Maxim USA
Faddy Magazine USA
The Impression USA
Fucking Young Sweden
The Contributor Sweden
Glass Magazine UK
Kaltblut Germany
Tush Germany
Keen Magazine
Grazie France
Lui France
OOB France
7000 Magazine France
Normal France
Solar Spain
PSM Magazine Spain
Vogue Russia
Marie Claire Russia
Instyle Russia
GQ Russia
Esquire Russia
Harpers Bazaar Russia
Numero Russia
Interview Russia
Elle Ukraine
Nasty Magazine Italy
Monaco
Playboy Australia
Playboy New Zealand
Maxim USA
Faddy Magazine USA
The Impression USA
Fucking Young Sweden
The Contributor Sweden
Glass Magazine UK
Kaltblut Germany
Tush Germany
Keen Magazine
Grazie France
Lui France
OOB France
7000 Magazine France
Normal France
Solar Spain
PSM Magazine Spain
Vogue Russia
Marie Claire Russia
Instyle Russia
GQ Russia
Esquire Russia
Harpers Bazaar Russia
Numero Russia
Interview Russia
Elle Ukraine
Nasty Magazine Italy
Monaco
Playboy Australia
Playboy New Zealand
INTERVIEWS
2019 - fatal 3
2019 - odyssey
2018 - fatal 2
2018 - odyssey
2018 - solar spain
2017 - maxim usa
2016 - allure russia
EXHIBITIONS
2022 Paris - sexhibition
2022 Paris - imagine
2021 Milan - imagine
2020 Kyiv - bursa
2019 Moscow - fatal #3
2018 Moscow - fatal #2
2018 Moscow - fatal #1
2014 Moscow - retrospective
2013 Brest - retrospective
2012 Minsk - retrospective
2011 Minsk - retrospective
2019 - odyssey
2018 - fatal 2
2018 - odyssey
2018 - solar spain
2017 - maxim usa
2016 - allure russia
EXHIBITIONS
2022 Paris - sexhibition
2022 Paris - imagine
2021 Milan - imagine
2020 Kyiv - bursa
2019 Moscow - fatal #3
2018 Moscow - fatal #2
2018 Moscow - fatal #1
2014 Moscow - retrospective
2013 Brest - retrospective
2012 Minsk - retrospective
2011 Minsk - retrospective
by jurij treskow
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online course on photography
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